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| 1 |
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| ISSN: | 0333-5372 |
| Autor: | Fludernik, Monika |
| Naslov: | History of narratology : a rejoinder |
| Matična publikacija: | Poetics today : international journal for theory and analysis of literature and communication / editor Meir Sternberg. - Vol. 24 (2003), No. 3; str. 405-412 |
| Impresum: | Durham, NC : Duke University Press |
| Napomena: | Tema broja: Theory and history of narrative |
| Sažetak: | The comment takes issue with David Darby's presentation of German narratology, arguing that German contributions to the field of narrative studies are much broader and more varied than argued by darby in his article in 'Poetics today', vol. 22, no. 4 (2001) |
| Ključne riječi: | naratologija |
| UDK: | 82.0 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 16397 |
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| 2 |
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| ISSN: | 0037-1998 |
| Autor: | Fludernik, Monika |
| Naslov: | Shifoers and deixis : some reflections on Jakobson, Jespersen, and reference |
| Matična publikacija: | Semiotica : journal of the international association for semiotic studies = revue de l'association internationale de sémiotique / editor-in-chief Jean Umiker-Sebeok. - Vol. 86 - 3/4 (1991); str. 193-230 |
| Impresum: | Berlin, New York : Mouton de Gruyter |
| Ključne riječi: | Jakobson R. * Jespersen O. * semiotika |
| UDK: | 81'22 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 10067 |
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| 3 |
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| ISSN: | 0039-4238 |
| Autor: | Fludernik, Monika |
| Naslov: | Geners, text types, or discourse modes?Narrative modalities and generic categorization |
| Matična publikacija: | Style. - vol. 34 (2000), no. 2; pg. 274- |
| Ključne riječi: | pripovijedanje * žanr * diskurz |
| UDK: | 82.0 |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3862 |
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| 4 |
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| ISBN: | 0-415-12482-4 |
| Autor(i): | Fludernik, Monika |
| Naslov: | Towards a 'natural' narratology / Monika Fludernik |
| Impresum: | London ; New York : Routledge , cop. 1996 |
| Materijalni opis: | xiv, 454 str. ; 24 cm |
| Jezik: | engleski |
| Napomena: | Str. 407: Bibliografija. - Kazalo |
| Ključne riječi: | pripovijedanje -- teorija * teorija pripovijedanja * naratologija * teorija književnosti * književna teorija * lingvistika * postmodernizam * feminizam * postkolonijalizam * žensko pismo * ženski studiji |
| Sažetak: | 1. TOWARDS A 'NATURAL' NARRATOLOGY. -1.1 Linguistic concepts of the natural. -1.1.1 Natural narrative. -1.1.2 The linguistic theory of naturalness: from frames to prototypes. -1.2 A redefinition of narrativity. -1.2.1 History vs. experientiality. -1.2.2 Narrativity. -1.2.3 Narrativization. -1.2.4 Realism and mimesis. -1.2.5 Fictionality. -1.3 Towards a 'natural' narratology. -2. NATURAL NARRATIVE AND OTHER ORAL MODES. -2.1 Oral types of storytelling: a generic overview. -2.2 Natural narrative: the creation of conversational storytelling: the experiential mode. -2.2.2 Report, observational narrative and the vicarious mode. -2.2.3 Institutionalized storytelling and the link with written narrative. -2.3 Humorous and didactic short forms. -2.3.1 The joke. -2.3.2 Exemplum and/or anecdote. -3. FROM THE ORAL TO THE WRITTEN: NARRATIVE STRUCTURE BEFORE THE NOVEL. -3.1 Middle English prose. -3.2 Middle English verse narrative. -3.2.1 Saints' legends. -3.2.2 Romance. -3.3 Renaissance prose and popular writing before Behn. -4. THE REALIST PARADIGM: CONSCIOUSNESS, MIMESIS AND THE READING OF THE 'REAL'. -4.1 Aphra Behn, or: from drama to fiction. -4.1.1 The orientation: development of report structure. -4.1.2 The narrative episode and the dramatic scene. -4.1.3 The consciousness scene. -4.2 The natural parameters of realism. -4.2.1 Versimilitude and effet de réel. -4.2.2 Natural parameters. -4.2.3 Authorial narrative, omniscience and reliability. -4.3 The consciousness novel: the English novel from Behn to Woolf. -4.4 The unimpassioned observer: neutral narrative. -5. REFLECTION AND FIGURALIZATION: THE MALLEABILITY OF LANGUAGE. -5.1 Reflectorization. -5.1.1 Original proposals. -5.1.2 Original proposals. -5.1.2 Lawrence and Weldon: a case study. -5.2 The 'empty centre' of figuralization. -5.2.1 Original proposals. -5.2.2 Mansfeld's 'At the Bay': another case study. -5.2.3 Reflectorization and figuralization contrasted. -5.3 Observers, narrators and reflectors. -5.3.1 The anonymous withess position. -5.3.2 Embodinebt, skaz, unreliability: cognitive parameters reintroduced. -5.3.3 Consonant reflectorization. -5.4 Summary. -6. VIRGIN TERRITORIES: THE STRATEGIC EXPANSION OF DEICTIC OPTIONS. -6.1 The deictic centre extended: 'odd' personal pronouns and the presentation of consciousness. -6.1.1 'Odd' pronouns: multiple subjects, impossible protagonists and invented pronominal morphology. -6.1.2 Alternation. -6.2 Person as a narratological category reconsidered. -6.3 Tense and narration: undermining deixis as usual. -6.3.1 The narrative present. -6.3.2 'Odd' narrative tenses. -6.3.3 Non-finite verb tenses. -6.3.4 Tense alternation. -6.4 Deixis action. -7. GAMES WITH TELLERS, TELLING AND TOLD. -7.1 Narratologicalpostmodernism. -7.2 The narrativization of the teller: narration as reflective consciousness. -7.3 The usurpation of telling by competing discourses. -7.4 Reading a story where is none: against the grain if the text. -7.5 Hermetic writing: the deconstruction of the reverential function of language. Where even the most intrepid reader fears to tread. -7.5.1 Plenitude and multiplicity. -7.5.2 Language disassembled into words. -7.6 Narrative and poetry: the condition of writing as écriture. -8 NATURAL NARRATOLOGY. -8.1 What is Natural Narratology? A theoretical outline. -8.1.1 The historical side of things: narrrativization and its limits. -8.1.2 What is narrative? (Part one). -8.1.3 Degrees of narrativity, non-narrative texts and the question of historicity. -8.2 Standard models reviewed: how to square the circle. -8.3 Narratological categories and cognitive parameters. -8.3.1 Narratological categories and cognitive parameters. -8.3.1 Story vs. discourse reconsidered. -8.3.2 Tellers vs. reflectors, agents and readers: the dramatis personae of narratology. -8.3.3 Throwing out the baby and perserving the bath water: typological categories reconceptualized. -8.4 The medius of narrative: genre revisited (What is narrative? Part two). -8.5 The politics of narrative: feminism, postcolonialism and the discourse of authorial power. -8.5.1 Ecriture féminine and the place of narratology in feminist studies. -8.5.2 Ideology and power. -8.6 Pulling the treads together: finishing touches to the design of Natural Narratology. -IN LIEU OF AN EPILOGUE. -Notes. -References. -Texts. -Criticism. -Author index. -Subject index |
| UDK: | 82.0 |
| Namjena : | REF (d). - Poslijediplomski studij književnosti |
| Signatura: | 82.0 FLU T |
| Inventarni broj: | III-1010 |
| Vrsta građe: | knjiga |
| Knjižnica: | Knjižnica Odsjeka za komparativnu književnost, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 6119 |
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| 6 |
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| ISSN: | 0333-5372 |
| Autor: | Fludernik, Monika |
| Naslov: | Literature and cognition (Sabine Gross:"Lese-Zeichen: Kognition, Medium und Materialität) |
| Matična publikacija: | Poetics today. - 1997, no. 1; pg. 117-120 |
| Ključne riječi: | Gross, Sabine -- Lese-Zeichen |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3604 |
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| 7 |
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| ISSN: | 0333-5372 |
| Autor: | Fludernik, Monika |
| Naslov: | Metaphor and beyond : an introduction |
| Matična publikacija: | Poetics today. - 1999, no. 3; pg. 383-396 |
| Napomena: | Tematski broj: Metaphor and beyond: new cognitive developments / edited by Monika Fludernik, Donald C. Freeman, and Margaret H. Freeman |
| Ključne riječi: | metafora |
| Vrsta građe: | Članak |
| Knjižnica: | Zbirka komparativne književnosti, http://www.knjiznice.ffzg.hr/komparativna |
| MFN: | 3731 |
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Upit: PersonalName_swish=(Fludernik Monika ) |